design Options and features
When building a guitar or uke, the voice of that instrument is produced by the complex interplay of many factors. In the descriptions below, I am probably being too simplistic. But I believe that this general overview does give a workable understanding of the features that you will be making decisions about in your hand-did instrument.
Single or Multi-Scale (Fanned Frets)
I believe there are two primary factors that create the “voice” of an instrument: scale length and bracing architecture. Scale length is the distance along the string from the edge of the nut to the top of the saddle. For years now, single-scale instruments have ruled the market.
Multi-scale or Fan-Fret instruments are making a resurgence. When we lengthen the lower, thicker strings, they tend to gain some definition. When we shorten the higher, thinner strings they tend to sound fuller, rounder. A multi-scale instrument has a lot of advantages: better intonation, different tonal voice, and better ergonomics.
Bracing Architecture
The bracing (along with the thickness of top and back) is the other major factor that has a significant impact on the voice of the guitar. That being said, a specific voice is not achieved by simply choosing a specific bracing pattern. The way the builder shapes the braces along with their interaction with the other components of the guitar all work in a complex unison to produce the voice. The bracing architecture chosen simply provides a good starting point to move toward a desired goal.
I offer to schemes: X-Fan and Radial Y. The X-Fan architecture moves us more into the traditional range of punchy, mid-rangy instruments. Radial Y bracing allows me to give the guitar or uke a wider frequency response while increasing projection and sustain. Again, I want to emphasize that these differences are subtle but noticeable.
Wood Choices
The wood chosen for the top, back and sides of the guitar “color” the voice established by the scale-length and bracing architecture. This coloring is subtle but an important component of the voice of the guitar.
Headstock: Slotted or Solid
Both styles of headstock are offered. There are some who argue that the old style slotted headstock adds more downward pressure at the nut and adds to the tone of the instrument. Maybe. They definitely look cool. Whatever style you choose, the headstock will be designed to fit the overall aesthetic choices.
Finishes
My instruments are finished with a hand-applied shellac and wax finish. This finish allows the visual beauty of the wood to shine through. Because it is an ultra-thin finish, it also allows the wood to resonate more freely.
The following design features have more to do with comfort or coolness without necessarily affecting the voice of the instrument.
Transitional Arm bevel
For comfort (and because it just looks cool), I offer a transitional arm bevel for most all builds. This is an add on feature.